THE LAST VOTE
Hollywood-style screenplay sample
INT. COUNTY COURTHOUSE - DAY
The jury box is full. MAYA REYES watches the lights flicker above the witness stand.
MAYA
I drove that bus because the city forgot who was waiting.
Cut to:
MAIN STREET DINER
Hollywood-style screenplay sample
EXT. TEXAS DINER - DAWN
El letrero de neon zumba. ROSA sirve cafe a dos bomberos cubiertos de ceniza.
ROSA
En este pueblo, nadie se va sin que alguien le guarde un sitio.
Cut to:
BOROUGH LINE
Hollywood-style screenplay sample
INT. NEW YORK SUBWAY PLATFORM - NIGHT
Un train express traverse la station. ELI tient une enveloppe marquee GRAND JURY.
ELI
Si je monte dans ce train, toute la ville saura pourquoi.
Cut to:
GYMNASIUM LIGHTS
Hollywood-style screenplay sample
INT. 高校体育館・投票所 - 夜
星条旗の下で発電機が止まる。JUNEは投票用紙の箱を抱え直す。
JUNE
ドアを閉めたら、外の人たちは最初からいなかったことになる。
Cut to:
LAKE STREET
Hollywood-style screenplay sample
外景. 芝加哥高架站台 - 清晨
列车轰鸣而过。DANIEL把湿透的证词塞进外套内袋。
DANIEL
这不是一个人的案子，这是整条街的记忆。
Cut to:
SILVER LAKE ROOM
Hollywood-style screenplay sample
INT. LOS ANGELES WRITERS' ROOM - LATE NIGHT
Post-it coprono la parete. NINA fissa una carta con scritto THE CHOICE.
NINA
Se il finale non costa niente, il pubblico lo sentira.
Cut to:
THE LAST VOTE
Hollywood-style screenplay sample
INT. COUNTY COURTHOUSE - DAY
The jury box is full. MAYA REYES watches the lights flicker above the witness stand.
MAYA
I drove that bus because the city forgot who was waiting.
Cut to:
MAIN STREET DINER
Hollywood-style screenplay sample
EXT. TEXAS DINER - DAWN
El letrero de neon zumba. ROSA sirve cafe a dos bomberos cubiertos de ceniza.
ROSA
En este pueblo, nadie se va sin que alguien le guarde un sitio.
Cut to:
BOROUGH LINE
Hollywood-style screenplay sample
INT. NEW YORK SUBWAY PLATFORM - NIGHT
Un train express traverse la station. ELI tient une enveloppe marquee GRAND JURY.
ELI
Si je monte dans ce train, toute la ville saura pourquoi.
Cut to:
GYMNASIUM LIGHTS
Hollywood-style screenplay sample
INT. 高校体育館・投票所 - 夜
星条旗の下で発電機が止まる。JUNEは投票用紙の箱を抱え直す。
JUNE
ドアを閉めたら、外の人たちは最初からいなかったことになる。
Cut to:
LAKE STREET
Hollywood-style screenplay sample
外景. 芝加哥高架站台 - 清晨
列车轰鸣而过。DANIEL把湿透的证词塞进外套内袋。
DANIEL
这不是一个人的案子，这是整条街的记忆。
Cut to:
SILVER LAKE ROOM
Hollywood-style screenplay sample
INT. LOS ANGELES WRITERS' ROOM - LATE NIGHT
Post-it coprono la parete. NINA fissa una carta con scritto THE CHOICE.
NINA
Se il finale non costa niente, il pubblico lo sentira.
Cut to:
AI assistant for every screenwriter
The future of screenwriting is not a blank chatbot. It is a focused workspace that understands narrative structure, character arcs, and the formatting chores that pull you out of the scene.
Take the drudgery of screenplay formatting off your plate so you can focus on the art AI cannot touch.
Draft formats
Scene, action, dialogue
Languages
English, French, Japanese, Chinese, Italian
Workflow
Script to storyboard
Screenplay workspace
LlamaGen keeps the page readable while AI helps with structure, rewrites, localization, and the next step into storyboard.
INT. SUPERIOR COURT - DAY
The courtroom is tense. Wooden benches creak as the JURY shifts in their seats. PROSECUTOR EVELYN CHO stands before the witness.
EVELYN CHO
Detective Wyatt... where were you on the night of March 17th?
DETECTIVE WYATT
At the scene. The Hawkins residence. 10:42 PM.
Evelyn taps the case file. A single silver feather slides from the folder and lands between them.
Cut to:
Source-backed features
I read the screenplay workspace source and pulled these directly from the live implementation: format controls, workspace tabs, persisted outline and cover data, beats, versions, and statistics.
INT. BUS DEPOT - NIGHT
Rain taps the roof. MAYA folds the city map into a square.
MAYA
(under her breath)
We still have one stop left.
Write in screenplay blocks that stay readable from outline to draft: scene headings, action, character names, parentheticals, dialogue, and transitions.
Version 12
Courtroom rewrite saved
Version 11
Dialogue pass from Jordan
Version 10
Act two outline locked
Share a draft with your room, collect notes in context, and keep remote writing sessions moving without losing the latest version.
Statistics
The reveal is strong. Move Maya's choice before the evidence so the scene turns on character, not information.
Choose advisor styles for structure, dialogue, pacing, genre, or character arcs so feedback sounds like a useful producer, not a generic bot.
Opening Image
1 scenes linked
Inciting Incident
2 scenes linked
First Refusal
3 scenes linked
Midpoint
4 scenes linked
The Beats tab renders ten default story beats with title, description, order, start minute, duration, and linked scene IDs across an act-based timeline.
Screenplay editor, improved
The screenplay view should feel like a writing desk with just enough production tooling around it: calm controls, roomy pages, and clear handoffs when a draft is ready for the next conversation.
EXT. PIER - BLUE HOUR
Fog curls under the lamps. MARA waits with a tape recorder and a lie she has rehearsed too many times.
MARA
You said the boat left empty.
NIKO
I said I never saw who got on.
Smash cut to:
Format Without Friction
Scene headings, dialogue, action, and transitions sit in their own lanes, so you are not fixing margins after the creative work is done.
The action beat lands visually, but the character want is arriving one page late. Move the choice before the reveal.
Arc
Stronger reversal
Dialogue
Less exposition
Advisor Notes
Use LlamaGen for alternate beats, stronger reversals, clearer wants, or a pass on the character arc. The writer stays in charge of the taste.
Screenplay
Shotlist
Storyboard
Story To Screen
Once a sequence works on the page, carry it into LlamaGen storyboard, shotlist, and visual planning tools for the production conversation.
Love letters from writers
Writers use LlamaGen as a quiet partner for format, structure, localization, and the next pass.
It handles the mechanical cleanup I used to dread. I can stay with the scene instead of wrestling the format.
United States
Maya R., Los Angeles
The translation pass keeps the emotional beat intact. It feels built for writers who care about subtext.
France
Adele M., Paris
The advisor notes are practical. They point to rhythm, stakes, and character want instead of vague inspiration.
Japan
Ren S., Tokyo
I can draft in Chinese, review structure in English, and bring the scene into storyboard without starting over.
China
Lin W., Shanghai
The multilingual workflow makes co-writing feel lighter. Everyone sees the same scene, not five scattered files.
Italy
Giulia C., Rome
Pricing for Screenplay
Same LlamaGen plans, rewritten around screenplay work: drafting, formatting, collaboration, exports, and storyboard handoff.
