THE LAST VOTE
Hollywood-style screenplay sample
INT. COUNTY COURTHOUSE - DAY
The jury box is full. MAYA REYES watches the lights flicker above the witness stand.
MAYA
I drove that bus because the city forgot who was waiting.
Cut to:
MAIN STREET DINER
Hollywood-style screenplay sample
EXT. TEXAS DINER - DAWN
El letrero de neon zumba. ROSA sirve cafe a dos bomberos cubiertos de ceniza.
ROSA
En este pueblo, nadie se va sin que alguien le guarde un sitio.
Cut to:
BOROUGH LINE
Hollywood-style screenplay sample
INT. NEW YORK SUBWAY PLATFORM - NIGHT
Un train express traverse la station. ELI tient une enveloppe marquee GRAND JURY.
ELI
Si je monte dans ce train, toute la ville saura pourquoi.
Cut to:
GYMNASIUM LIGHTS
Hollywood-style screenplay sample
INT. 高校体育館・投票所 - 夜
星条旗の下で発電機が止まる。JUNEは投票用紙の箱を抱え直す。
JUNE
ドアを閉めたら、外の人たちは最初からいなかったことになる。
Cut to:
LAKE STREET
Hollywood-style screenplay sample
外景. 芝加哥高架站台 - 清晨
列车轰鸣而过。DANIEL把湿透的证词塞进外套内袋。
DANIEL
这不是一个人的案子，这是整条街的记忆。
Cut to:
SILVER LAKE ROOM
Hollywood-style screenplay sample
INT. LOS ANGELES WRITERS' ROOM - LATE NIGHT
Post-it coprono la parete. NINA fissa una carta con scritto THE CHOICE.
NINA
Se il finale non costa niente, il pubblico lo sentira.
Cut to:
THE LAST VOTE
Hollywood-style screenplay sample
INT. COUNTY COURTHOUSE - DAY
The jury box is full. MAYA REYES watches the lights flicker above the witness stand.
MAYA
I drove that bus because the city forgot who was waiting.
Cut to:
MAIN STREET DINER
Hollywood-style screenplay sample
EXT. TEXAS DINER - DAWN
El letrero de neon zumba. ROSA sirve cafe a dos bomberos cubiertos de ceniza.
ROSA
En este pueblo, nadie se va sin que alguien le guarde un sitio.
Cut to:
BOROUGH LINE
Hollywood-style screenplay sample
INT. NEW YORK SUBWAY PLATFORM - NIGHT
Un train express traverse la station. ELI tient une enveloppe marquee GRAND JURY.
ELI
Si je monte dans ce train, toute la ville saura pourquoi.
Cut to:
GYMNASIUM LIGHTS
Hollywood-style screenplay sample
INT. 高校体育館・投票所 - 夜
星条旗の下で発電機が止まる。JUNEは投票用紙の箱を抱え直す。
JUNE
ドアを閉めたら、外の人たちは最初からいなかったことになる。
Cut to:
LAKE STREET
Hollywood-style screenplay sample
外景. 芝加哥高架站台 - 清晨
列车轰鸣而过。DANIEL把湿透的证词塞进外套内袋。
DANIEL
这不是一个人的案子，这是整条街的记忆。
Cut to:
SILVER LAKE ROOM
Hollywood-style screenplay sample
INT. LOS ANGELES WRITERS' ROOM - LATE NIGHT
Post-it coprono la parete. NINA fissa una carta con scritto THE CHOICE.
NINA
Se il finale non costa niente, il pubblico lo sentira.
Cut to:
AI assistant for every screenwriter
The future of screenwriting is not a blank chatbot. It is focused screenplay software that understands narrative structure, character arcs, and the formatting chores that pull you out of the scene.
Take the drudgery of screenplay formatting off your plate so you can focus on the art AI cannot touch.
Draft formats
Scene, action, dialogue
Languages
English, French, Japanese, Chinese, Italian
Workflow
Script to storyboard
Live script pass
INT. COMMUNITY CENTER - NIGHT
Folding chairs. Rain against high windows. MAYA stands at the microphone with a page of notes she no longer needs.
MAYA
If the city will not read the record, we will read it out loud.
A quiet wave moves through the room. Someone starts recording.
COUNCILMAN REED
Ms. Reyes, this is not how the process works.
Format pass
Preserved in draft context.
Character arc
Preserved in draft context.
Multilingual polish
Preserved in draft context.
Storyboard handoff
Preserved in draft context.
Screenplay workspace
LlamaGen keeps the page readable while AI helps with structure, rewrites, localization, and the next step into storyboard.
INT. COMMUNITY CENTER - NIGHT
Folding chairs. Rain against high windows. MAYA stands at the microphone.
MAYA
We will read it out loud.
A quiet wave moves through the room.
Feature 01
Write on a page that still feels like a screenplay, with scene headings, action, dialogue, parentheticals, and transitions kept in shape.
Shared draft
EVELYN circles the witness stand. The room knows the answer before he says it.
Terry Zhang
Showrunner
Draft 12
Courtroom rewrite saved with the civic-stakes pass.
Velika Lee
Editor
Dialogue note
Move Maya's choice before the public reveal.
Jasper Zuo
Producer
Room sync
Shotlist handoff is ready for producer review.
Feature 02
Save versions, collect collaborator comments, and keep remote writing sessions moving without losing the current draft.
Script
scene context
Shotlist
camera intent
Storyboard
visual draft
Feature 03
Carry the scene into storyboard and shot planning with characters, locations, beats, and visual intent still attached.
Source-backed features
Built from the live screenplay workspace: formatting controls, workspace tabs, saved versions, advisor notes, persisted cover and outline data, and the beats timeline.
INT. BUS DEPOT - NIGHT
Rain taps the roof. MAYA folds the city map into a square.
MAYA
(under her breath)
We still have one stop left.
Cut to:
Feature 01
Write in screenplay blocks that stay readable from outline to draft: scene headings, action, character names, parentheticals, dialogue, and transitions.
Shared draft
EVELYN circles the witness stand. The room knows the answer before he says it.
Terry Zhang
Showrunner
Draft 12
Courtroom rewrite saved with the civic-stakes pass.
Velika Lee
Editor
Dialogue note
Move Maya's choice before the public reveal.
Jasper Zuo
Producer
Room sync
Shotlist handoff is ready for producer review.
Feature 02
Share a draft with your room, collect notes in context, and keep remote writing sessions moving without losing the latest version.
INT. CITY HALL - NIGHT
Maya sees the council chamber empty except for one microphone still recording.
MAYA
Then let the tape run.
Make the choice arrive before the reveal.
The scene is stronger when Maya risks herself first, then discovers the evidence is already public.
Feature 03
Choose advisor styles for structure, dialogue, pacing, genre, or character arcs so feedback sounds like a useful producer, not a generic bot.
Beat Arrangement Timeline
10 beats · 80 min · linked scenes
1. Opening Image
8m2. Theme Stated
6m3. Setup
8m4. Catalyst
7m5. Debate
9m6. Break Into Two
8m7. Fun And Games
10m8. Midpoint
8m9. Bad Guys Close In
9m10. Final Image
7mOpening Image
0'-8' · 1 scene
Theme Stated
8'-14' · 1 scene
Setup
14'-22' · 1 scene
Catalyst
22'-29' · 2 scene
Debate
29'-38' · 1 scene
Break Into Two
38'-46' · 1 scene
Fun And Games
46'-56' · 2 scene
Midpoint
56'-64' · 1 scene
Bad Guys Close In
64'-73' · 1 scene
Final Image
73'-80' · 1 scene
5. Debate
29'-38'Maya must decide whether to leak the file or protect a witness.
linked: scene-3
Feature 04
The Beats tab renders ten default story beats with title, description, order, start minute, duration, and linked scene IDs across an act-based timeline.
Screenplay workflow
The screenplay view should feel like a writing desk with just enough production tooling around it: calm controls, roomy pages, advisor notes, and clear handoffs when a draft is ready for the next conversation.
INT. SUPERIOR COURT - DAY
Wooden benches creak. MAYA REYES watches the lights on every phone turn toward her.
MAYA
(steady, but scared)
The record does not belong to the people who buried it.
Cut to:
tab switch
format lane
clean export
Feature 01
The page keeps its screenplay shape while you write. Scene headings, dialogue, action, and transitions sit in their own lanes, so you are not fixing margins after the creative work is done.
EXT. OVERPASS - NIGHT
Sirens fade below. Leo holds the envelope, waiting for the truth to sound easier.
LEO
I can give them the file.
The action beat lands visually, but the character want is arriving one page late. Move the choice before the reveal.
Arc
Stronger reversal
Dialogue
Less exposition
Feature 02
Ask for showrunner-level notes without flattening your voice. Use LlamaGen for alternate beats, stronger reversals, clearer wants, or a pass on the character arc. The writer stays in charge of the taste.
Screenplay
scene context
Shotlist
visual intent
Storyboard
production view
INT. SUPERIOR COURT - DAY moves into a shot plan with scene context, characters, and visual intent intact.
Handoff readyFeature 03
Move from screenplay to storyboard when the scene is ready. Once a sequence works on the page, carry it into LlamaGen storyboard, shotlist, and visual planning tools for the production conversation.
AI Storyboard Generator
When the screenplay is ready, send the sequence into LlamaGen's AI storyboard generator: scene numbers, shot intent, generated frames, revision actions, and visual context stay aligned for creative review.
Storyboard proof wall
multi-project shot lists in one view
four-shot opening
AI storyboardScene 1 · Shot 1
Establish the story problem before the product appears.
AI storyboardScene 1 · Shot 2
A close-up makes the old meal feel plain and unappealing.
product enters the story
AI storyboardScene 2 · Shot 1
The new product shifts the board from concern to choice.
AI storyboardScene 2 · Shot 2
A pour shot highlights freshness, texture, and sensory appeal.
behavior change
AI storyboardScene 3 · Shot 1
A warmer close-up turns the promise into visible momentum.
AI storyboardScene 3 · Shot 2
The movement payoff gives reviewers a clear behavior change.
pack shot sequence
AI storyboardScene 4 · Shot 3
The pack, bowl, and ingredient spread create a retail-ready frame.
AI storyboardScene 4 · Shot 4
The end frame locks character, product, and promise together.
Love letters from writers
Writers use LlamaGen as a quiet partner for format, structure, localization, and the next pass.
It handles the mechanical cleanup I used to dread. I can stay with the scene instead of wrestling the format.
United States
Maya R., Los Angeles
The translation pass keeps the emotional beat intact. It feels built for writers who care about subtext.
France
Adele M., Paris
The advisor notes are practical. They point to rhythm, stakes, and character want instead of vague inspiration.
Japan
Ren S., Tokyo
I can draft in Chinese, review structure in English, and bring the scene into storyboard without starting over.
China
Lin W., Shanghai
The multilingual workflow makes co-writing feel lighter. Everyone sees the same scene, not five scattered files.
Italy
Giulia C., Rome
Pricing for Screenplay
Same LlamaGen plans, rewritten around screenplay work: drafting, formatting, collaboration, exports, and storyboard handoff.
